Despite their young age, Les Poules à Colin have been playing together for over nine years and it shows in their sparkling complicity. The group has a strong stage presence and demonstrates a contagious pleasure in each and every performance, drawing the audience to them. The group has already performed in major cities and small towns  in Canada, the US, Europe, the UK and Australia, and Africa, amassing a wealth of impressive experience in a short time.

Get ready world, this group is already really, really good
and on its way to greatness. -WPR @ Edinburgh Fringe Festival

The group’s sound is a seamless blend of their strong folk upbringing and North American influences that range from old-time to jazz, with some provocative and moody effects. Their repertoire is a mix of original and traditional pieces, primarily in French but with some English compositions, and reveals gorgeous vocal, instrumental and rhythmic prowess. Their adaptations of traditional songs from Quebec, Brittany or Louisiana speak eloquently to their generation while retaining the beauty of timeless music. Fiddle, guitar, lapsteel, banjo, mandolin, piano, bass and foot percussion form a rich and varied backdrop for their inventive arrangements. Les Poules à Colin reveal a unique and modern perspective on traditional Québec culture.

In 2017, after a nine-week tour of Australia (Port Fairy, The National, The Blue Mountains and Fairbridge folk fest, among others), tours to Sweden, USA, Canada, Italy, Germany, Belgium, UK and their participation in the Games of La Francophonie in Abidjan in Ivory Coast, the group presents its new album MOROSE , which is inspired by the raw and pure aspect of Quebec musical traditions while combining contemporary sounds animated by energy, desires and the angst of our modern society.

 

web: https://lespoulesacolin.com/

vid: https://youtu.be/IEkpX5sWRs4

 


 

Hayley Sabella Trio

 

Hayley Sabella hails mostly from the New England coast. Inspired by the dramatic landscape and vast seasonal changes that range as much in temperature as they do in color, she reaches for the earth itself in its various forms to give her a sense of belonging. As the daughter of musicians and missionaries, this brought her to experience pivotal years of her childhood in Central America. Naturally, music became a tool through which she could make sense of the world and put down roots, despite a lingering feeling of displacement.